Words In Motion
In the second installment of her miniseries “Words in Motion,” Smile Ximai Jiang uses Kenji Yoshino’s Covering as a lens through which to interrogate her own cultural and creative impulses.
Read MoreWords In Motion
In the second installment of her miniseries “Words in Motion,” Smile Ximai Jiang uses Kenji Yoshino’s Covering as a lens through which to interrogate her own cultural and creative impulses.
Read MoreWords In Motion
“Names hold power. Names communicate, address, connect. Names hold,” writes Smile Jiang in her mini-series on language, “Words In Motion.” In this essay, Smile looks at the fluidity and use of language as it reshapes our words, our perspectives, and our worlds.
Read MoreCultural Criticism
“AI art is the product of the AI’s interpretation of the prompt, not a compilation of human artistic choices,” writes Noah Ma. In their essay on AI-generated art versus human-created art, Noah ruminates on the ethics of AI art and its place in the future of the art world.
Read MoreChildhood Ruined
“A closer look at Johnny Bravo paints the animated series as less an example of hypermasculinity than a parody of it.”
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