A three-part writing experiment by Olympia, Kevin, and Esther
I.
Then I see her: roped in velvet
yellow, the night’s glamour. Her cheeks
flushed from the stage’s rich
romance. Even through the hum
of the city streets, the roar
of the taxis swelling like an orchestra,
the current of her voice carries to me.
A natural solo. Later she’ll call this the first
spark but I say it’s a chimera, enigma
seeped in periwinkle, static in my ears,
the first time I saw music
personified, film reeling back and forth,
white glitter magnetic beneath her eyes.
II.
Trust, that slate of evening
sun, obscures my sight. Every time
our voices rise: the next great Broadway act.
When I say trust, I mean ignoring
the names she whispers in her sleep.
When I say sight, I mean common
sense. Tell me how to write about
love and I’ll tell you how the middle
of a story never makes sense
until you find your way to the end.
I’m tired. I long for her to reopen
the door as the sky flattens into night.
III.
In autumn, yellow afternoons choke
melodies at the throat. We swap
roles week by week. One battling
the cello pegs. One watching
the grey tabby on the street corner lean too far
sideways in the evening dim. One day
I am singing softly on her couch. The next,
she doesn't come back until midnight.
Her apartment ceiling fan whistles
above me like an elegy. I hum along
alone in the October dark. In bed
I hold the hours close to my mouth, each
contrast — before/after/me/her/lover/lover
— longing to be blurred.