after the Neapolitan Novels by Elena Ferrante
Lila, you were the holy mother
of 1960s Naples, new money mod Madonna,
all I knew was your blowout brunette hair
and your husband’s brass knuckles, his broken
mirrors, your bruised head haloed by the wire
frames of hospital beds. Before
you ran away you confessed: I have a loveless
civilization buried in my lungs, your exhales silkscreened
with strawberry gelato and a shoemaker’s knife,
the blade that warded you from mafia princes
but not from the blue-eyed butcher, eager to flense
you into his bride, the blade you lost
in the leather stomach of his fast car, driving
to your honeymoon as you sighed against your death
sentence, you would rather drive deep into the Adriatic
and never be touched again. Lila, I am no poet’s
daughter, more camera than woman, more archivist
than open legs, but I swear I will write epics
about the scratch marks on your headboard, frantic
as marginalia, I will re-record history until there is enough
room for your matchstick limbs, until I canonize the miracle
that is your survival, those years of coiffures and chloroform
kisses, the stars colliding like broken teeth as you hid
from your husband, shivering behind racks of appleskin
sweaters, Our Lady of cinematic cigarette burns, of praying
pregnancies into lemon pith blood clots,
of poverty turned patent pumps.
I still hear your muffled screams
across the gap of my teal teenage summers, I still see
you in every wedding photo, every thrashing wave,
every shining doorway of this bloodsoaked city that I left
behind, your blackened eyes following me out
to the sea.