She taught me/
To sip the juice that pools
on the surface of a fresh-cut peach
but if I stop
to think for
a moment,
She tugs at my leash/ slugs
Me with a slew
of gut-punch what
is that, and who
and how are
all of these me, and not me?
She locks me in a gilded room/
walls covered in paintings,
light tinted sterile blue/
When I approach the frames
I can’t help but notice
they recede from me-
I invest in novelty/
I’m constantly swapping my surroundings
out. In here,
Everything whirls
and turns on me like
a spinning top/ and I’m
the point that doesn’t move
(but I’m
still trying to stop.) She
Assures me that I’m not alone,
the windows here are wide/
(but the windows are just mirrors and there’s nowhere here to hide)
(Our Lorde and savior once wrote:
“Maybe the internet raised us,
Or maybe, people are jerks”)
She tells me a good film, a good piece of art,
is paced with proper potency and smoke breaks;
moments to ache and then
digest. She doesn’t tell me that nicotine
actually does give you a buzz, along
with (still, after all these years and black lung
campaigns), a sense of immovable
coolness; an air of
je m'en fiche de vivre
which is decidedly cooler than
je ne sais quois
to the point where suicidal tendencies
have become nothing but a meme,
and Lexapro, nothing but a daily hug.
She’s funny. She makes me laugh.
And laughter makes life worth living.
She passes me laughter in plastic bottles
slipped through the cat-hatch in the doorway.
(everything small enough for me to swallow)
(everything begging to be even smaller)
Make the main course a movie. A side of porn and politics.
(everything pulling the brainpulses of pleasure)
(everything pulling your leash)
She blows on my soup when it gets too hot/
she stews and then dumps it
down the kitchen sink/
she asks me how i’m doing/
doesn’t wait for a reply/
tells me/
You’re fine
You’re fine,
You’re fine.