Cama

 

ANNUNCIATION

by Alejandra Cabezas & Gionni Ponce

The emptiness in this house

stings—a wire brush drumstick

tap.tap. tap. ta.tapping

a snare morphs into gunshots

before the white hot of a television

refusing a station.

Like an antenna, I pick up

all the noise. Tonight, most of all:

a parade of rubber soles,

and our children, smothered

into assonance.

Fourth of July firecrackers

remind me of eating candy

on the roof of my abuela’s house

while primos play with

what can blow off hands.

There is an echo to the sound —

a whisper disguised as shock.

Somewhere in a star-spangled bar,

a woman presses her hand

into my growing beer-belly

and I burp into her mouth.

Because all children

are born from foam,

I call this act: conception.

But I do not want to call

my daughter’s new toy:

a bubble gun

pues, maquina de burbujas

trans/lation

Not all guns are pistols but

all guns are pistolas.

I never knew the word

ametralladora before yesterday —

sugar-coated pebbling of my tongue.

God, too, is a mouthful

but I have mastered

the inconspicuous chew.

There is no language in which we need

the ka-ta-trak of machine guns,

but the body is an in-between channel.

Because I know God to be a voyeur,

I am sure he owns a TV.

Bullets like skyholes:

To be shot is to taste the light.


 
 

2024 PATCHWORK Poetry Fellow

Alejandra Cabezas is an award-winning poet, scholar, and interdisciplinary artist from Antiguo Cuscatlán, El Salvador. Her work explores the embodied, female experience through an interplay of myth, oral tradition, and critical fabulation. As a historian and museologist, she is interested in filling narrative silences through resistance art and performance. She believes poetry is an inherently multi-sensorial experience, and is constantly looking to expand the way the written word inhabits the world.

 

2024 PATCHWORK Poetry Fellow

Gionni Ponce Gionni Ponce lives and writes in Tempe, Arizona. She keeps an eye towards visual art and is always trying her hand at something new (including film poetry). Wherever she goes, she aims to create literary space for traditionally marginalized stories--in her writing, administrative work, and as a teacher. This summer, she'll be travelling to Italy as a Poesiæuropa 2024 fellow and participating in a VONA residency. She has been awarded fellowships/scholarships to the Desert Nights, Rising Stars Writers’ Conference, the Fine Arts Work Center in Provincetown, and Indiana University's Writer in South Asia program. Her work is published in Iron Horse Literary Review, The Ocotillo Review, Kenyon Review Online, and South Carolina Review. Gionni is a proud Macondista. She is currently working on a short story collection centered on bilingualism and multi-generational conflict in Mexican-American families. You can learn more at gionniponce.com.

 

2024 PATCHWORK Film Fellow

Oscar de la Torre is a filmmaker dedicated to exploring the intersection of personal narrative and surreal imagery. His recent film, “La Cola del Camarón,” delves into themes of memory and loss through a poetic lens. Oscar is passionate about blending visual and verbal storytelling to create evocative, multidimensional works.