Insomniac Morning Routine // The Comments Section is Full of Immigrant Children Asking “Am I the Only One Who Goes to the Bathroom First?”

 

Morning enters this house

the same way each time    blew

in through a backdoor to settle plainly

like a television’s misty glare

or a velvet curtain

             falling open

as if to         split

the hours in a day by     living     &      not

Just as a mother knows she can be mother

     & not     by the shade of her body splitting

                         baby blue         

I am saying     time is demarcated

by the color pooling in an iris

 

It’s Thursday       translation  :  

I haven’t slept in days     I only know morning

by the floor        how each milky tile turns azure

under my unsure gaze       & what I know of inheritance

begins here   not in the spigot of blue-black veins

but in the gap behind 

a locked bathroom door (just large enough 

for the shape of my unwashed ass to fit)         I sit 

somewhere between porcelain & piss pour

-ing pills from shaking fist         & back again

            to floor

I trace a finger around the circumference

of a single capsule   hazy blue

& admire its circular nature

   not unlike a buoy

   clutched by the drowning

I am the drowning

      the Negro speaks of rivers

         but cannot swim in

                    her own thoughts

 

My finger orbits again & maybe this time I see

the curving skin that wraps itself around

a mother’s gently bobbing throat

Or    the contour of sinew stretching across

a firmly clenched knuckle    stretching

across a mother’s gently bobbing throat

 

How many histories can fit into a single exhale?

my father left his people     crossed the Atlantic   survived his wounds long enough to raise a scar

my mother left her people     crossed the Pacific      survived her blues long enough to make them an heirloom

What is legacy if not self-inflicted?

No one considers how easily a thousand generations can be lost with one

   hard swallow

 

Last night my mother warned me       Don’t—

& I laughed until an ocean filled to the edge 

of my maw          in order for me to breathe

someone is turning blue & calling it progress 

I mean         every woman is not a body of water

but in stories like these

               something is always spilling

 

Suppose the good daughter knows

to check the prescription      over again—

Today I check     just to kill

time        because every survival

is a translation for restlessness

My birth   the flicker of a bloodshot eye

that circles back a thousand times 

Circles words into their inky 

unspooling     letters softly blurring blue

& in this light     nothing disappears

it only rearranges

every symptom spells     sacrifice     sacrifice     sacrifice


 
 

Michelle Gabrielle is an artist born and raised in Miami, Florida. Currently pursuing a B.Arch at the University of Miami, Michelle strives to incorporate multi-media art forms in all the work she creates. Through painting, filmmaking, writing, and design, her work has always served as not just an activity, but a space in which Michelle’s thoughts and emotions can make sense of themselves. Recognized by the YoungArts Foundation and the National Film Festival for Talented Youth, Michelle’s truthful storytelling brings forward the beauty and reality of everyday life. Her most prized possession is her journal, which she clutches everywhere she goes.

Boatemaa Adoawaa Han Mee Agyeman-Mensah is a first-generation Ghanaian & Korean American poet from Ham Lake, Minnesota. Her work explores the intersections of identity. Often, her poems center around themes of love, lust, race, religion, and inheritance. Currently, Boatemaa is studying poetry at the University of North Carolina at Chapel Hill.