Insomniac Morning Routine // The Comments Section is Full of Immigrant Children Asking “Am I the Only One Who Goes to the Bathroom First?”
Morning enters this house
the same way each time blew
in through a backdoor to settle plainly
like a television’s misty glare
or a velvet curtain
falling open
as if to split
the hours in a day by living & not
Just as a mother knows she can be mother
& not by the shade of her body splitting
baby blue
I am saying time is demarcated
by the color pooling in an iris
It’s Thursday translation :
I haven’t slept in days I only know morning
by the floor how each milky tile turns azure
under my unsure gaze & what I know of inheritance
begins here not in the spigot of blue-black veins
but in the gap behind
a locked bathroom door (just large enough
for the shape of my unwashed ass to fit) I sit
somewhere between porcelain & piss pour
-ing pills from shaking fist & back again
to floor
I trace a finger around the circumference
of a single capsule hazy blue
& admire its circular nature
not unlike a buoy
clutched by the drowning
I am the drowning
the Negro speaks of rivers
but cannot swim in
her own thoughts
My finger orbits again & maybe this time I see
the curving skin that wraps itself around
a mother’s gently bobbing throat
Or the contour of sinew stretching across
a firmly clenched knuckle stretching
across a mother’s gently bobbing throat
How many histories can fit into a single exhale?
my father left his people crossed the Atlantic survived his wounds long enough to raise a scar
my mother left her people crossed the Pacific survived her blues long enough to make them an heirloom
What is legacy if not self-inflicted?
No one considers how easily a thousand generations can be lost with one
hard swallow
Last night my mother warned me Don’t—
& I laughed until an ocean filled to the edge
of my maw in order for me to breathe
someone is turning blue & calling it progress
I mean every woman is not a body of water
but in stories like these
something is always spilling
Suppose the good daughter knows
to check the prescription over again—
Today I check just to kill
time because every survival
is a translation for restlessness
My birth the flicker of a bloodshot eye
that circles back a thousand times
Circles words into their inky
unspooling letters softly blurring blue
& in this light nothing disappears
it only rearranges
every symptom spells sacrifice sacrifice sacrifice
Michelle Gabrielle is an artist born and raised in Miami, Florida. Currently pursuing a B.Arch at the University of Miami, Michelle strives to incorporate multi-media art forms in all the work she creates. Through painting, filmmaking, writing, and design, her work has always served as not just an activity, but a space in which Michelle’s thoughts and emotions can make sense of themselves. Recognized by the YoungArts Foundation and the National Film Festival for Talented Youth, Michelle’s truthful storytelling brings forward the beauty and reality of everyday life. Her most prized possession is her journal, which she clutches everywhere she goes.
Boatemaa Adoawaa Han Mee Agyeman-Mensah is a first-generation Ghanaian & Korean American poet from Ham Lake, Minnesota. Her work explores the intersections of identity. Often, her poems center around themes of love, lust, race, religion, and inheritance. Currently, Boatemaa is studying poetry at the University of North Carolina at Chapel Hill.